"A diabolically funky bass is joined by the song of a fulani flute and the cadence of a vodou drum, and the cello bows under an incantation of the ancestors... a revelation and an evening of spellbinding music!" - MONDOMIX
Bethany Yarrow sings music of power and praise. She is a song keeper, earth activist, and student of the spiritual traditions of the Americas. Onstage she is a mesmerizing, dancing spirit with a powerful voice and a living prayer for unity at the heart of her music.
Bethany devotes much of her time to work addressing climate justice, indigenous sovereignty and water protection. In 2015 she co-founded the Waterfall Unity Alliance, a Native/non-Native Alliance which helped stop the Constitution Pipeline and other fossil fuel infrastructure projects in New York State. In 2016, Bethany co-organized the Black Hills Unity Concert which advocated for the protection of sacred sites and the return of the Black Hills to the Lakota, Nakota and Dakota Nations. She is on the advisory board of the Three Sisters Sovereignty Project and the Center for Earth Ethics and sits on the board of directors for Operation Respect, an educational organization founded by her father, Peter Yarrow of Peter, Paul and Mary.
As the daughter of a folk icon, Bethany grew up surrounded not only by music, but also deeply influenced by the visionary changemakers she met in her childhood. "I grew up singing with my dad at rallies and events, inspired by grassroots activists who believed that making the world a better place was an essential part of being human. Music and activism have always gone hand in hand in my life -- like an ethical, moral and sonic compass encoded into my DNA." says Bethany, who has recorded two albums with her father and continues to perform with him, as she has since she was 8 years old.
For over 20 years Bethany performed as a duo with cellist Rufus Cappadocia bringing their signature sound of transcendent groove and evocative vocals to festivals, music halls, frontline protests, and concerts for change all over the world. Deeply influenced by ceremonial music, their performances were like watching two spirits weave a timeless river of song, prayer, and dance. Bethany & Rufus released four albums together and were honored to collaborate with musical icons and lineage holders Yacouba Moumouni (Niger), Bonga Jean Baptiste (Haiti), Chuck Campbell (USA) and Brahim Fribgane (Morocco) on their last album, Trouble in The Land, released in 2018.
In 1992 Yarrow made a documentary film in apartheid South Africa called "Mama Awethu!," an intimate window onto the lives of 5 black women in the townships and squatter camps surrounding Cape Town. It aired nationally on PBS and won numerous awards at film festivals around the world including the Sundance, Berlin, Human Rights Watch, and Bombay Film Festivals.
Bethany was also involved with the filming of the feature documentary "The Grandmothers Speak: For the Next 7 Generations" a film about the Council of the 13 Indigenous Grandmothers (for which she also contributed to the film score).
"That was such an important film for me to help make", says Bethany. "All the prophecies say that it is time for the grandmothers to speak and for ancient wisdom to show us the way forward. In the same way, I am listening to the wisdom inside of our own folkloric musical legacy. These are the songs that have shaped our collective memory, and they will always be there for us when we need them again. I am just keeping the flame lit and my lamp trimmed and burning, as the Reverend Gary Davis would say."
"Bethany Yarrow is the daughter of Peter Yarrow of Peter Paul and Mary, and so we might expect that she'd have a sense of the folk tradition, but what she does with and to that tradition is nothing short of brilliant. Her voice is rich, dark, and true... and it cuts right through to express all that the music needs... She has the rhythmic sensibility and depth of feeling to call forth the jazz and blues tradition and the breadth of textures to take a listener around the world. Yarrow's voice is stark and powerful, feeling both informed by years of tradition and yet brand new." -- Donald Elfman, All About Jazz